2017年9月27日 星期三

學佛找到人生伴侶


    小時候長輩總是說,女孩子最好不嫁,不然嫁歹命。
    內心總很納悶為什麼這麼說,隨著人生的成長,看著長輩們的夫妻之道;每天生活總是忙家裡、忙小孩,夫妻間因為結婚後,沒有共同興趣,漸漸變成兩條水平線的家人關係,每天為著柴、米、油、鹽、醬、醋、茶,打轉忙碌著。我逐步理解為什麼長輩會有如此一說。進入社會,對長輩的身提面命,謹記在心,甚至可以說是害怕,害怕也過著這種生活。
    跟同修認識在一場聯誼活動中,活動結束就沒連絡了。當隔了一段時間後又連繫上,我正遭逢自己人生的迷茫期。出社會工作兩、三年了,身體也因為自己不愛護,悄悄亮起紅燈,看著身邊同學走入家庭,心裡也好生羨慕阿。但又想起小時候長輩們說的不要嫁歹命,又退縮了一步。
    有天聽到長輩跟我說凡事都是”因果”。我們會生病都是因果,心理當下震撼了一下,對於自己生活的迷茫,身體亮紅燈,我好像找到了答案,想著要怎麼解決,跑到了某知名寺廟大門待了五分鐘。短短幾分鐘,回想著小時候被長輩帶來誦經的經驗,我完全不知道經文裡面意思,無非長輩說跟著跪拜,這樣會得到保佑。過往的印象不佳,這樣也似乎沒辦法解決我的因果問題 ,因此轉身離開了。
    事隔半年,與同修再度見面。同修某天邀約我到佛堂恭聞”南無第三世多杰羌佛”法音。當時在佛堂聞了「你明信因果嗎」,一陣響雷,我終於找到答案,原來今天會有的一切,都是往昔中種了什麼因,雖然當時還是似懂非懂,但當下覺得我不害怕了、不迷茫了。在恭讀:南無第三世多杰羌佛「什麼叫修行」中漸漸知道該怎麼做,佛陀說法的其中一段,令我受用甚深:「修行,即是修善惡二所緣業之增益與離避。也就是增益善緣,種善因,結善果;離避惡所緣,離惡因,避惡果。因果不昧。因果是滅除不了的,說滅除是斷見,故所以只能善業築壁,猶如築一道擋土墻,起到隔開的作用。由是學佛,修佛之行,最終成佛方可徹底解脫輪迴的因果縛業。」 
    2014年我們決定結婚,利用婚假去美國參與佛事。我們在這些因緣下成為夫妻了,也因為一起恭聞”南無第三世多杰羌佛”法音,對於很多事情有相同想法,對於彼此也多了很多包容跟體諒,小時候長輩們說的嫁歹命,完全打破。
    感恩”南無第三世多杰羌佛”慈悲加持,讓我可以在茫茫人海中找到同修,也因同修讓我跟如來正法接起緣分。


感恩南無第三世多杰羌佛                    
                                                  佛弟子  短髮媽 頂禮

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THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA III SOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA III SOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA III SOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA III SOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

THIS BROKE THE RECORD FOR THE HIGHEST MARKET VALUE  OF ANY CHINESE PAINTING IN HISTORY

An art auction was held on January 31st by the Master Wan Ko Yee International Cultural Institute. One of the paintings auctioned was a small-scale painting entitled “Ancient Village at Remote Mountain Spring” created and donated by H.H. Dorje Chang Buddha III. That painting is only 5.6 square inches, which is about one fourth the size of the palm of a hand. Forty-seven people began to bid on that painting. The final selling price was US$35,100, which equals US$902,571.42 per square foot. This is a record-breaking market value for any Chinese painting ever sold in history. Another donated painting, “Lotus Charm,” was created by Compassionate Mother Dr. Yuhua. It is a 2.3-square-foot Chinese painting of lotus flowers. The final selling price was US$50,100, which is US$21,782.6 per square foot.

On January 31st at the five-star San Gabriel Hilton, the Master Wan Ko Yee International Cultural Institute hosted an “Exhibition of National Treasure Level Works of Art by Compassionate Mother Dr. Yuhua and Auction of Small-Scale Art.” The Institute auctioned the paintings “Lotus Charm” and “Ancient Village at Remote Mountain Spring” to enhance the annual Chinese New Year Celebration that the Institute conducts for its members and to raise money for disaster relief in Haiti. Many dignitaries gathered at the crowded auction site. The many government officials who presented certificates  Dr. Yuhua for her artistic achievements also were present to witness the auction. A notary public from a notary public company was present during the auction to perform notarization.

COMPASSIONATE MOTHER DR. YUHUA IS THE PRE-EMINENT PAINTER OF LOTUS FLOWERS IN HISTORY; THE PAINTING “LOTUS CHARM” WAS SOLD AT A HIGH PRICE
Art created by Dr. Yuhua was specially exhibited by Congress at the nation’s Capitol. Furthermore, the Congressional Record stated that, “In the history of Chinese art, her lotus flower paintings are unsurpassed…” The Congressional Record also stated that her hand-sculpted and hand-painted faux coral and faux cobblestones are “treasures of the world.”


The painting “Lotus Charm” by Dr. Yuhua was, of course, a much sought-after work of art. The market value of an artist’s paintings is calculated on a per square foot basis. The minimum opening bid for the 2.3-square-foot “Lotus Charm” was US$10,000. Forty bidders entered the auction site to bid on that painting. The price was driven up by all of those many bidders, but in the end the winning bid was in the amount of US$50,100, or US$21,782.6 per square foot.

↑The lotus flower paintings by Dr. Yuhua are unsurpassed in the history of Chinese art. Her 2.3-square-foot lotus flower painting called “Lotus Charm” was auctioned for US$50,100.

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” EXPRESSES A LOFTY AND BROAD ARTISTIC CONCEPTION; THE ENERGY OF THE CLOUDY MOUNTAINS IS PALPABLE; SUCH A TINY PAINTING SEEMS TO CONTAIN THOUSANDS OF MOUNTAINS; BUYERS WERE BIDDING FURIOUSLY FOR IT
“Ancient Village at Remote Mountain Spring” is a small-scale painting created by H.H. Dorje Chang Buddha III, who donated it to be auctioned off. An artist who saw that painting said, “Although ‘Ancient Village at Remote Mountain Spring’ is as small as only one-fourth of the size of the palm of a hand, one can see curling mist, mountains, and cliffs. It truly is a magnificent landscape scene that expresses a lofty and broad artistic conception. The energy of the cloudy mountains is palpable. Such a tiny painting seems to contain thousands of mountains. It is not merely an ink-wash painting. Rather, it is a vivid landscape scene that is brimming with vitality!”

H.H. Dorje Chang Buddha III is a master artist who holds the record for the highest market value of any Chinese painting in the history of the world. In 2000, a painting by His Holiness called “Majesty” sold for more than US$2,120,000 at an international auction. Inscribed on that painting of a group of lions were the Chinese characters “Wan Ko.” It also was stamped with the seal His Holiness uses on His calligraphy and paintings. At another international auction, the painting “Venerable Da Li Won” sold for NT$72,000,000, which equals about US$2,220,000. In 2007, the International Buddhism Sangha Association openly sold a lotus flower painting by His Holiness on which the Chinese characters “Wan Ko” were inscribed. That painting, which is called “Two Flowers; One Lotus Capsule; One Dharma Nature,” sold for US$300,000 per square foot. Another painting by His Holiness entitled “Pasture in Spring” was inscribed with the holy Dharma King name “Wan Ko Yeshe Norbu,” contained the fingerprint of His Holiness, and was stamped with a Dharma King seal. A bidder for that painting offered US$540,000 per square foot.

Prior to January 31st, all of the paintings by H.H. Dorje Chang Buddha III offered for sale in the international art market were large-scale paintings. January 31st was the first time a small-scale painting by His Holiness was auctioned. As a result, that auction was the focus of much attention. The Chinese characters for “Dorje Chang III” were inscribed on the painting “Ancient Village at Remote Mountain Spring.”  On the back of that painting are the fingerprint and seal of His Holiness. The minimum opening bid for that work of art was US$8,000. After rounds of intense bidding, the final selling price was US$35,100, which is a market value of US$902,571.42 per square foot. This broke the record for the highest market value per square foot of any Chinese painting in history.


↑The small-scale painting “Ancient Village at Remote Mountain Spring” is only one fourth the size of the palm of a hand, yet it expresses a lofty and broad artistic conception and seems to contain thousands of mountains. It broke the record for the highest market value per square foot of any Chinese painting in history.
THERE IS A GREAT POTENTIAL FOR PAINTINGS BY H.H. DORJE CHANG BUDDHA III TO APPRECIATE IN VALUE; COUNTERFEIT PAINTINGS HAVE APPEARED IN THE MARKETPLACE
There are many people in the world today who collect paintings by H.H. Dorje Chang Buddha III (whose secular name is Master Wan Ko Yee). For example, Guoxing Wang, who is ranked seventh among the ten great and famous Chinese painters, collected several dozen paintings by Master Wan Ko Yee. However, according to appraisals made by Chinese artists, many of those paintings are counterfeit but were stamped with genuine seals. In recent times, numerous counterfeit paintings supposedly created by Master Wan Ko Yee have appeared in society. The reason behind this is that long ago various people in society used various means to collect seals previously used by Master Wan Ko Yee on paintings and calligraphic works as well as personal seals previously used by Master Wan Ko Yee. This has resulted in the confusing situation where counterfeit paintings are stamped with genuine seals.

It has already been publicly revealed that Master Wan Ko Yee has been recognized by eminent monastics and greatly virtuous people around the world as being the true incarnation of Dorje Chang Buddha III. Works of art created by H.H. Dorje Chang Buddha III now contain His fingerprint. Now, all authentic works of art by His Holiness contain His fingerprint. This fingerprint cannot be counterfeited by anyone. More importantly, information about all of the paintings by H.H. Dorje Chang Buddha III is contained in computer files that can be checked. Anyone who wants to buy a painting by His Holiness should first have that painting authenticated by the Calligraphy and Paintings Authentication Committee jointly established by Superb Art Museum of America, United International World Buddhism Association Headquarters, and International Buddhism Sangha Association. That way, one can avoid being deceived into buying a counterfeit painting.

Any authentic painting that contains the fingerprint of H.H. Dorje Chang Buddha III and about which information is contained in a computer file has great potential to appreciate in value. For example, the painting “Majesty” sold for US$66,250 per square foot in 2000. Ten years later, the current market value for a painting by His Holiness is US$902,571 per square foot, which is about a 13.6-fold increase in value. After the true identity of H.H. Dorje Chang Buddha III was revealed to the world, His Holiness has not had time to paint paintings. Therefore, each of His paintings is extremely valuable and difficult to purchase even with a large sum of money. One can imagine how many times more valuable a painting by H.H. Dorje Chang Buddha III will be ten years from now. Paintings by His Holiness have the potential to appreciate in value at least several dozen times more than the amount they appreciated in value over the past ten years. It is no wonder that so many people furiously bid on one of His Holiness’s paintings.

“KING” AND “WHITE JADE TREASURE” ARE HIGEST-GRADE FAUX CORAL WORKS OF ART THAT DR. YUHUA HAND-SCULPTED AND HAND-PAINTED
The following art created by Compassionate Mother Dr. Yuhua was displayed at the exhibition: ten lotus flower paintings and two faux coral sculptures called “Supreme Treasure of the Dragon King’s Palace―King” and “Supreme Treasure of the Dragon King’s Palace―White Jade Treasure” (which includes a matching flower vase called Hong Luo Xiu). The latter two works are hand-sculpted and hand-painted word-class, flawless art of the highest quality that were publicly displayed for the first time at the exhibition. The organization hosting the exhibition stated that all of the exhibits created by Dr. Yuhua were borrowed from Superb Art Museum of America.

The first reaction that many had when viewing “Supreme Treasure of the Dragon King’s Palace―King” was, “How is this possible?” They were amazed that there is such huge “coral” in the world. No coral can be found in any of the world’s oceans that is as magnificent, gorgeous, and elegant as this faux coral. It indeed deserves to be called “Supreme Treasure of the Dragon King’s Palace―King.”

The other faux coral sculpture, “Supreme Treasure of the Dragon King’s Palace―White Jade Treasure,” conveys a sense of natural excellence and soft gracefulness that can spring only from the creativity of a remarkable artist. It is a marvelous creation that excels nature’s coral. All who viewed it were amazed. Although all of the faux coral of this sculpture is white, there are many variations of white. Its natural appearance is inexhaustibly beautiful. Most importantly, it provides the viewer with a feeling of comfort and beauty. An expert art critic said, “This is not like ocean coral. It was created from scratch with special material. It is a masterful work of art that was hand-sculpted, painted with oil colors, and polished. It has ample variations of hues and is as lustrous as jade or pearls. Its texture is genuine-looking. Not only does it appear no different from real coral, it even looks much more ancient, elegant, and beautiful than real coral. It is clear that Dr. Yuhua’s painting skills are truly amazing. Having such skills requires cultivation, knowledge, and talent. Having only knowledge and talent is not enough. A high level of concentration is also required. Otherwise, one’s inner-creativity will not emerge in the process of painting. These Chinese paintings and sculptures of hers can truly be called works that embody the highest artistic skills in the world!”

Lotus flower paintings and landscape paintings by other famous Chinese artists were also displayed at the exhibition. By contrast, the lotus flower paintings by Compassionate Mother Dr. Yuhua were vivid, smooth, vigorous, and lively. Her paintings lack even the slightest trace of mediocrity. There is no way that anyone can copy them. It is no wonder that the United States Congressional Record stated her lotus flower paintings are unsurpassed in the history of Chinese art.

According to the estimate of a person affiliated with Superb Art Museum of America, the faux coral works “King” and “White Jade Treasure” are each worth between US$7,000,000 and US$9,000,000. However, those two works have already been given to Superb Art Museum of America, a non-profit public charity organization, and therefore are not for sale.

MANY DIGNITARIES ATTENDED THIS EVENT; FEDERAL AND LOCAL OFFICIALS PRESENTED CERTIFICATES COMMENDING DR. YUHUA FOR HER ACHEIVEMENTS
Many dignitaries or their representatives attended the exhibition and presented certificates to honor the achievements of Dr. Yuhua or to congratulate her. Among those dignitaries who attended in person or through their representatives were Congresswoman Dianne Watson, Congressman Adam Schiff, Congresswoman Judy Chu, California State Assemblymen, the California State Controller, the five supervisors of Los Angeles County Board of Supervisors, the mayor of Pomona, the mayor of Cerritos, the Vice-Mayor of Alhambra, the mayor of Monterey Park, the mayor of South Pasadena, the mayor of Redondo Beach, the Sherriff of Los Angeles County, and others. There was a continuous flow of people who attended the exhibition, making a very grand occasion indeed.



第三世多杰羌佛說《世法哲言》(三十三)


第三世多杰羌佛說《世法哲言》(三十三)

大樹之材頂立于天地日月,受風寒暑濕之侵而成焉,故藏室植樹縱立屋頂,亦黃胎萌芽而已。設若人者閉門造車,無何磨難,焉得強者之才也。

凡是稱為棟樑之材的大樹,往往是經過鍛煉,頂立於天地日月,飽受風寒暑濕之侵而長成的。這些樹在荒山野嶺之中受盡一切艱苦磨難,頂受了數不清的風霜雨打,經過多年的鍛煉,最後才能成為一棵很高很壯的大樹。但如果把一梱樹種植在室內,不管怎麼長,就是頂立於屋頂,它也是黃胎萌芽,它沒有受陽光的照射和雨露的滋潤,沒有在風雨中得到鍛煉,所以長出來的東西是嫩木胎芽,不能生用的。那麼我們的人同樣是如此,假使閉門讀書,不經受磨難,不經受各種鍛鍊,與社會實踐生活完全脫離,沒有知道辛酸苦辣鹹甜滋味的話,最後是不能成為強者的,不能成為強者,就不可能成為一個真正的人才。因此,要成為真正的人才,就必須要像古人說的,先勞其筋骨,餓其體膚,空乏其身,行弗亂其所為,少一樣都不能成就其才的,因此必須具備多元化的鍛煉,最後方能成為有用之才。



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我的“參禪”之旅


我的“參禪”之旅

幾年前,我到一個著名的禪宗道場當小居士,開始我的“參禪”之旅。每天繁重的農活之後,偶爾參加打坐也只是打“瞌睡”坐而已,偶爾聽聽CD中的老和尚說話,我以為這就是參禪,心裡很失落。直到後來,我发现有好几个行为举止异常的僧众,据说是打坐过程中,由於種種原因出现了问题,之後也沒有得到正確引導和對症的治療,所以好多年來一直疯疯癫癫的。那時我产生了些许恐惧,原來打坐的副作用這麼可怕呢!我想到自己每天在那裡打瞌睡,盲修瞎練,万一有一天我也變成這樣怎么办?每天打坐的時候看到她们,心里的压力真的很大,這到底是怎麼回事?參禪打坐怎么會變成這樣?我百思不得其解……
印象最深的還有一次禪七,期間當家師父抱怨說,廟子里的一位老師父在突發重病時根本就不應該送去急救,而是應該當下念佛求往生,為什麼還要苟延殘喘地活著呢?這樣不是很痛苦嗎?當時在場的很多人都紛紛附和當家師,覺得這條生命實在是太不足惜了,根本就不應該急救。當時的我一下子懵住,很難接受,這話一定有問題,雖然我剛剛開始學佛,但是心裏在想如果人陷入重度昏迷、不省人事的話也能往生淨土嗎?他那時候哪裡能像《佛說阿彌陀經》中所說的那樣,一心不亂念佛十聲呢?根本做不到嘛!從邏輯上根本就行不通嘛!
後來我還聽說有位出家眾,發下了願,三年閉關坐禪之後如果不明心見性、開悟的話就還俗,三年很快就過去了,不幸的是這位出家眾依舊沒有開悟,結果當然是……真是令人痛心!
一系列的事情打擊之後,當小居士的我心灰意冷,仿佛走進了死胡同,前途一片迷茫,我不知道,接下去的路該怎麼走,我問自己如果這樣子稀里糊塗地出家,到底意義何在?萬般無奈之下,我竟然決定打道回府跟家人投降。而就在這個時關鍵時候,我聽聞到了H.H.第三世多杰羌佛的法音,彷如黑暗中的一道強光般,把我的退悔之心、我的迷茫困惑消融殆盡,沮喪的情緒一下子無影無蹤消失了。那一刻,我無比堅定的選擇了出家,而且很快就圓滿了出家的愿。
当然,这些只是我个人地浅薄经历,可能連“参禅”的邊都擦不上,但確實反映了一部分所謂參禪的修行學佛之人的可悲現狀。后来我有幸拜读到帕母的《成道必修定观法》,又从网上看到公布出来的H.H.第三世多杰羌佛传的《禅修大法》,终于得到了完整的教授。哦,原来参禅是这么一回事。例如H.H.第三世多杰羌佛在《藉心經說真諦》第216頁的講法,我明白了那些打坐出問題的出家人,他們是由於執著第七末那意識產生的幻覺,認為是真實的,不明白“凡所有相,皆是虛妄”的道理,所以就入魔了。而禪七期間那位當家師父的抱怨簡直沒有道理,正如《佛弟子趙玉勝接受了真實不虛的傳法》一文中所說的,如果你能像H.H.第三世多杰羌佛那樣現場修一個法,當場本尊阿彌陀佛現前,安排他日接引往升極樂世界,如此當然就不需要急救了。但是請問您有這樣的本事嗎?還有那位還俗的可憐出家眾,他不知道這個世界上有兩個小時就開頂的頂圣佛法,開口如雞蛋大小深洞,神識能出能入,體外修法,脫離禪控,明心見性將是指日可待。
現在回想一路走來,我遇到那么多可憐的出家眾,他們多麼想要學到如來正法,他們多麼想要了生脫死,可是由於没有遇到如來正法,由於師長的教授和引导有問題,由於他們本人的執著,由於種種不同的原因⋯⋯導致無法成就解脫,而這樣的悲劇還在繼續發生,真是讓人痛徹心扉,最好的佛法就在H.H.第三世多杰羌佛這裡,可是很多很多眾生聽不到,我親見過有些很幸運有機會接觸到如來正法的人,他們往往被自身的各種障業困擾,在多種壓力之下失去法緣,不能聽聞如來正法,沒有了生脫死的機會,因此我只能深深歎息,同時切身感受到如來正法的百千萬劫難遭遇……,我慶幸自己能有福報恭聞學習H.H.第三世多杰羌佛法音。


慚愧佛弟子--莞爾靈犀
二〇一七年八月
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<正能量~感恩系列6>感恩H.H.第三世多杰羌佛義雲高大師畫作豐富了生命


<正能量~感恩系列6>感恩H.H.第三世多杰羌佛義雲高大師畫作豐富了生命


感恩H.H.第三世多杰羌佛義雲高



第三世多杰羌佛

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的多杰羌佛第三世記實在美國國會圖書館舉行了莊嚴隆重的首發儀式,美國國會圖書館並正式收藏此,自此人才知道原一直受大家尊敬的義雲高大益西布大法王,被世界佛教各大教派的袖或政王大活佛行文認證,就是宙始祖身佛多杰羌佛的第三世降世,佛號為第三世多杰羌佛,此,人就以第三世多杰羌佛來稱呼了迦牟尼佛未成佛前,其名號為多太子,但自迦牟尼佛成佛以後,就改無釋迦牟尼佛了,所以,我們現第三世多杰羌佛尤其是,二零一二年十二月十二日,美國國會參議院第614號決議正式以His Holiness冠名第三世多杰羌佛(即H.H.第三世多杰羌佛),此南第三世多杰羌佛的位已定性而且,第三世多杰羌佛也是政府法定的名字,以前的義雲和大持大法王的尊不存在了但是,這個是在南第三世多杰羌佛佛未公布之前刊登的,那們還不了解佛陀的真正身份,所以,了尊重史的真,我在新中仍然保留未法定第三世多杰羌佛稱號前所用的名字,但大家要清楚,除H.H.第三世多杰羌佛的名字是合法的以外,在未法定之前的名字已不存在了


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圖說
國際佛教僧尼總會舊金山藏寺在昨天行的書畫交易中,作品荷花花一斗一如性到每平方英尺30美元成交(國際佛教僧尼總會提供)



義雲師畫 以每平方呎30美元成交
2007/02/11 16:57
森新 ETTODAY
蘇靜/金山報導

金山藏寺在昨天行的書畫交易中,展三幅中國畫,其中一幅荷花花一斗一如性到每平方英尺30美元成交

據現場賣員,世界著名佛教大法王高益西也是大藝術家身份的義雲師贈了三幅精品給國際佛教僧尼總會國際佛教僧尼總會此三幅作品,有意願購買有上十人
現場經過幾輪競價,荷花以每平方英尺30美元由英白人收藏家Ian Hamilton得,另一幅梅花以每平方英尺21美金成交但是,前被看好的牧牛則沒成交易。《牧牛被行家認為是精品中的精品,將價錢提到每平方英尺54美元,但持不能少於其底價為每平方英尺90美金,由此差價懸殊而流



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2007年接H.H.第三世多杰羌佛作生命力震撼了我,上些相關資料增加了解,路上赫然出不少面文章,本著事求是精神,藉曾是二十年媒體從業員對訊息的敏發現負容不足信,四處張貼在自媒上必然是蓄意毀謗,英皇家藝術學200多年來歷史上首位被授予”Fellow”頭銜藝術2010年世界和平最高榮譽獎得主,無數唯有利益不宣自己的羌佛,雖從自己白,所幸,些年真相逐日大白(參見感恩系列5~感恩H.H.第三世多杰羌佛的藝術了生命),十年,除了工巧明,羌佛的因明方明明,所展的全方位無與倫比成就不僅證明了佛陀的不可思,更富了我的生命,何其幸啊!

原文連結:http://oursogo.com/thread-2423432-1-1.html
     義雲高

#義雲高  #義雲高大師 #仰諤益西諾布大法王 #第三世多杰羌佛#義雲高大師藝術